The History of Surrealism
Belknap Press of Harvard University Press, 2000 - 351 pagina's
"I believe," André Breton said, "in the future resolution of the states of dream and reality--in appearance so contradictory--in a sort of absolute reality, or surréalité." The Surrealist movement, born in the 1920s out of the ferment of Dada, committed to revolution against bourgeois rationalism, and inspired by Freudian exploration of the unconscious, has reverberated more widely and deeply than perhaps any other art movement in our century. Its automatism, biomorphic shapes, visionary mode, and manipulation of found objects mark the work of artists as different as Ernst, Miró, Magritte, and Dali.
Maurice Nadeau's History of Surrealism, first published in French in 1944 and in English in 1965, has become a classic. It is both lucid and authoritative--by far the best overall account of this complex movement. Nadeau traces the evolution of Surrealism, bringing to life its many internal debates about politics and art. He relates the movement to its intellectual and artistic environment. And he provides the statements and manifestos of Breton, Aragon, Tzara, and others.
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... for Trotsky's person was well known, a special letter was sent, asking him to
participate, even if only as a witness.” Naville did not reply. Finally only seven
persons were to be excluded: Baron, Duhamel, Fégy, Prévert, Man Ray, Tanguy
... of the publication, and afforded a viewing for a number of surrealist painters:
Arp, Bellmer, Brauner, Dali, Delvaux, Dominguez, Ernst, Giacometti, Magritte,
Miró, Paalen, Penrose, Man Ray, Remedios, Seligmann, Tanguy, etc., while
Illustrations: Arp, “Cadavre exquis,” Chirico, Ernst, Masson, Picasso, Man Ray,
Tanguy, Vaché. No. 11—MARCH 15, 1928 Cover: Lightning in the landscape: “
What kind of hope do you put in love?” Contents: Second surrealist manifesto ...
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