The History of Surrealism
Belknap Press of Harvard University Press, 2000 - 351 pagina's
"I believe," André Breton said, "in the future resolution of the states of dream and reality--in appearance so contradictory--in a sort of absolute reality, or surréalité." The Surrealist movement, born in the 1920s out of the ferment of Dada, committed to revolution against bourgeois rationalism, and inspired by Freudian exploration of the unconscious, has reverberated more widely and deeply than perhaps any other art movement in our century. Its automatism, biomorphic shapes, visionary mode, and manipulation of found objects mark the work of artists as different as Ernst, Miró, Magritte, and Dali.
Maurice Nadeau's History of Surrealism, first published in French in 1944 and in English in 1965, has become a classic. It is both lucid and authoritative--by far the best overall account of this complex movement. Nadeau traces the evolution of Surrealism, bringing to life its many internal debates about politics and art. He relates the movement to its intellectual and artistic environment. And he provides the statements and manifestos of Breton, Aragon, Tzara, and others.
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It even discusses, though this would prove more difficult to effect, the possibility of
a common ideology with regard to the great problem of relations between
individual and Revolution.” Finally a parity committee is formed responsible for
individuals in whom he no longer had any confidence and whom he felt he could
thus unmask, while confirming the ... for an account of their present ideological
position with a view to individual or collective action to be determined thereby.
“First of all,” Breton said, “the meeting must pronounce upon the degree of
individual moral qualification.” And the inculpation of Le Grand Jeu began at
once. What was the charge against its editors? Having preferred, in their list of
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