The History of SurrealismBelknap Press of Harvard University Press, 2000 - 351 pagina's "I believe," André Breton said, "in the future resolution of the states of dream and reality--in appearance so contradictory--in a sort of absolute reality, or surréalité." The Surrealist movement, born in the 1920s out of the ferment of Dada, committed to revolution against bourgeois rationalism, and inspired by Freudian exploration of the unconscious, has reverberated more widely and deeply than perhaps any other art movement in our century. Its automatism, biomorphic shapes, visionary mode, and manipulation of found objects mark the work of artists as different as Ernst, Miró, Magritte, and Dali. Maurice Nadeau's History of Surrealism, first published in French in 1944 and in English in 1965, has become a classic. It is both lucid and authoritative--by far the best overall account of this complex movement. Nadeau traces the evolution of Surrealism, bringing to life its many internal debates about politics and art. He relates the movement to its intellectual and artistic environment. And he provides the statements and manifestos of Breton, Aragon, Tzara, and others. |
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... poems . The public was pleased , for after all there was a certain art apparent in these , but their pleasure was soon spoiled . Masks appeared and re- cited a disjoined poem by Breton . Calling it a poem , Tzara read a newspaper ...
... poems , but even here the courts were not so absurd as to isolate certain expressions or certain lines from their context . Was it necessary to detach from Aragon's poem such expressions as " Wipe out the Police , Comrades ! " or " Fire ...
... poems which they by exception turn into a model of conscious thought . I say that this poem , by its situation in Aragon's work , on the one hand , and in the history of poetry on the other , corresponds to a certain number of formal ...