The History of SurrealismBelknap Press of Harvard University Press, 2000 - 351 pagina's "I believe," André Breton said, "in the future resolution of the states of dream and reality--in appearance so contradictory--in a sort of absolute reality, or surréalité." The Surrealist movement, born in the 1920s out of the ferment of Dada, committed to revolution against bourgeois rationalism, and inspired by Freudian exploration of the unconscious, has reverberated more widely and deeply than perhaps any other art movement in our century. Its automatism, biomorphic shapes, visionary mode, and manipulation of found objects mark the work of artists as different as Ernst, Miró, Magritte, and Dali. Maurice Nadeau's History of Surrealism, first published in French in 1944 and in English in 1965, has become a classic. It is both lucid and authoritative--by far the best overall account of this complex movement. Nadeau traces the evolution of Surrealism, bringing to life its many internal debates about politics and art. He relates the movement to its intellectual and artistic environment. And he provides the statements and manifestos of Breton, Aragon, Tzara, and others. |
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... remains my faith in Christ , cigarettes , and the jazz records I love " Tea for Two , " " Yearning " -and above all , there remains surrealism . This curious individual was to end badly all the same . Trying to reconcile Christianity ...
... remains of our good reputation and our doubts pell mell with the pretty gewgaws of sensibility , and the radical notion of impotence and the stupidity of our so - called duties — the light which will no longer be the one that fails ...
... remains unfortu- nately on the level of form alone , in the superficial zone of the manner of exprssion [ ? ] , is in the course of altering the entire 5 That " unfortunately " is a whole poem . aspect of literature . " Which is to say ...