The Harmonicon, Volume 1;Volume 3;Volume 5;Volumes 7-8;Volume 11William Ayrton Gregg International, 1971 |
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Pagina 85
... Rossini heard the complaints of the dissappointed mana - companiments of the pit . Silence was only obtained when gers . To remedy an evil , which it appeared impossible not the clamorous became tired . But , when it was discovered to ...
... Rossini heard the complaints of the dissappointed mana - companiments of the pit . Silence was only obtained when gers . To remedy an evil , which it appeared impossible not the clamorous became tired . But , when it was discovered to ...
Pagina 135
... Rossini then rises from his place at the piano , his counte- nance wearing an air of great gravity , and makes three obeisances , which are followed by salvos of applause . Rossini presides at the piano - forte during the first three ...
... Rossini then rises from his place at the piano , his counte- nance wearing an air of great gravity , and makes three obeisances , which are followed by salvos of applause . Rossini presides at the piano - forte during the first three ...
Pagina 136
... Rossini maintained , that it was a merit in him to have dis- gano having taken care to choose only the best of those airs , guised the atrocity of the subject , by the light and airy it often happens , that after seeing one of his ...
... Rossini maintained , that it was a merit in him to have dis- gano having taken care to choose only the best of those airs , guised the atrocity of the subject , by the light and airy it often happens , that after seeing one of his ...
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accompaniment admirable appear applause arranged Bars bass beautiful Beethoven Braham Camporese Catalani celebrated character charming Chorus chorusses church clarionet Clementi composed composition concert County Guy Cramer cres delight drama duet effect excellent execution expression Farinelli favour favourite feeling flute French genius German GIOACCHINO ROSSINI glee Gluck grand Handel HARMONICON harmony Haydn hear heard heart honour instrument Italian Italy King's Theatre Lady London Madame Madame Vestris manner master melody ment merit Messrs Milan Miss Stephens Mozart musician never opera oratorio orchestra Otello overture Paris passages performed piano piano-forte piece play poetry possess present produced quartett render Ricciardo e Zoraide Rondo Rossini Sapio Senesino shew Signor sing singer Sonatas song soprano style sung sweet symphony talent taste tenor thee tion tone trio variations Vaughan Vienna violin violoncello vocal voice words