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106

SUMMER GARB OF THE

LANDSCAPE.

And it is a pleasant land. No word describes it so felicitously as that one. They say there is no word for "home" in the French language. Well, considering that they have the article itself in such an attractive aspect, they ought to manage to get along without the word. Let us not waste too much pity on "homeless" France. I have observed that Frenchmen abroad seldom wholly give up the idea of going back to France some time or other. I am not surprised at it now.

We are not infatuated with these French railway cars, though. We took first class passage, not because we wished to attract attention by doing a thing which is uncommon in Europe, but because we could make our journey quicker by so doing. It is hard to make railroading pleasant, in any country. It is too tedious. Stage-coaching is infinitely more delightful. Once I crossed the plains and deserts and mountains of the West, in a stage-coach, from the Missouri line to California, and since then all my pleasure trips must be measured to that rare holiday frolic. Two thousand miles of ceaseless rush and rattle and clatter, by night and by day, and never a weary moment, never a lapse of interest! The first seven hundred miles a level continent, its grassy carpet greener and softer and smoother than any sea, and figured with designs fitted to its magnitude-the shadows of the clouds. Here were no scenes but summer scenes, and no disposition inspired by them but to lie at full length on the mail sacks, in the grateful breeze and dreamily smoke the pipe of peace-what other, where all was repose and contentment? In cool mornings, before the sun was fairly up, it was worth a lifetime of city toiling and moiling, to perch in the foretop with the driver and see the six mustangs scamper under the sharp snapping of a whip that never touched them; to scan the blue distances of a world that knew no lords but us; to cleave the wind with uncovered head and feel the sluggish pulses rousing to the spirit of a speed that pretended to the resistless rush of a typhoon! Then thirteen hundred miles of desert solitudes; of limitless panoramas of bewildering perspective; of mimic cities, of pinnacled c-thedrals, of massive fortresses, counterfeited in the

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THE NEW YORK PUBLIC LIBRARY

ASTOR, LENOX TILCEN FOUNDATIONS

PECULIARITIES

OF FRENCH CARS.

107

eternal rocks and splendid with the crimson and gold of the setting sun; of dizzy altitudes among fog-wreathed peaks and never-melting snows, where thunders and lightnings and tempests warred magnificently at our feet and the storm-clouds above swung their shredded banners in our very faces!

But I forgot. I am in elegant France, now, and not skur rying through the great South Pass and the Wind River Mountains, among antelopes and buffaloes, and painted Indians on the war path. It is not meet that I should make too disparaging comparisons between hum-drum travel on a railway and that royal summer flight across a continent in a stage-coach. I meant in the beginning, to say that railway journeying is tedious and tiresome, and so it is-though at the time, I was thinking particularly of a dismal fifty-hour pilgrimage between New York and St. Louis. Of course our trip through France was not really tedious, because all its scenes and experiences were new and strange; but as Dan says, it had its "discrepancies."

The cars are built in compartments that hold eight persons each. Each compartment is partially subdivided, and so there are two tolerably distinct parties of four in it. Four face the other four. The seats and backs are thickly padded and cushioned and are very comfortable; you can smoke, if you wish ; there are no bothersome peddlers; you are saved the infliction of a multitude of disagreeable fellow-passengers. So far, so well. But then the conductor locks you in when the train starts; there is no water to drink, in the car; there is no heating apparatus for night travel; if a drunken rowdy should get in, you could not remove a matter of twenty seats from him, or enter another car; but above all, if you are worn out and must sleep, you must sit up and do it in naps, with cramped legs and in a torturing misery that leaves you withered and lifeless the next day-for behold they have not that culmination of all charity and human kindness, a sleeping car, in all France. I prefer the American system. It has not so many grievous "discrepancies."

In France, all is clockwork, all is order. They make ne

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FRENCH POLITENESS.

mistakes. Every third man wears a uniform, and whether he be a Marshal of the Empire or a brakeman, he is ready and perfectly willing to answer all your questions with tireless politeness, ready to tell you which car to take, yea, and ready to go and put you into it to make sure that you shall not go astray. You can not pass into the waiting-room of the depot till you have secured your ticket, and you can not pass from its only exit till the train is at its threshold to receive

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you. Once on board, the train will not start till your ticket has been examined-till every passenger's ticket has been inspected. This is chiefly for your own good. If by any possibility you have managed to take the wrong train, you will be handed over to a polite official who will take you whither you belong, and bestow you with many an affable bow. Your ticket will be inspected every now and then along the route, and when it is time to change cars you will know it. You are in the hands of officials who zealously study your welfare and your interest, instead of turning their talents to the invention of new methods of discommoding and snubbing you, as is very often the main employment of that exceedingly self-satisfied monarch, the railroad conductor of America.

But the happiest regulation in French railway government,

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