Current Approaches in Drama TherapyDavid R. Johnson, David Read Johnson, Renee Emunah Charles C Thomas Publisher, 2009 - 540 pagina's This second edition of Current Approaches in Drama Therapy offers a revised and updated comprehensive compilation of the primary drama therapy methods and models that are being utilized and taught in the United States and Canada, including four new approaches. It is intended as a basic textbook for the field of drama therapy. Section I provides a context for the state of the field of drama therapy in North America, describing the history of the field, stages in professional development, theory building, emerging areas of interest, and challenges for the future. Section II includes the Integrative Five Phase Model, Role Method, Developmental Transformations, Ritual/Theatre/Therapy, Healing the Wounds of History, Narradrama, Omega Transpersonal Approach, Psychoanalytic Approach, Developmental Themes Approach, ENACT Method, STOP-GAP Method Bergman Drama Therapy Approach, Rehearsals for Growth, and Performance in drama therapy. Section III describes four related approachesOCoPsychodrama, Socio-drama, Playback Theatre, and Theatre of the Oppressed, each of which has had significant influence on drama therapy practice. A distinct index of key concepts in drama therapy is included, demonstrating the consolidation and breadth of theory in the field. This highly informative and indispensable volume is geared toward drama therapy training programs, mental health professionals (counselors, clinical social workers, psychologists, creative art therapists, occupational therapists), theater and drama teachers, school counselors, and organizational development consultants." |
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Pagina 6
... expression. She extended her own and Sesame's work with children to the elderly, adult psychiatric patients, people from various cultures, and even “normal” people (Pearson, 1996). Sesame had a serious research interest, and one of the ...
... expression. She extended her own and Sesame's work with children to the elderly, adult psychiatric patients, people from various cultures, and even “normal” people (Pearson, 1996). Sesame had a serious research interest, and one of the ...
Pagina 19
... expression of the artist's passion for autonomy, are also at work (Johnson, 1999). Clearly, without a continuous practice and study of an approach by a committed group of people, the method cannot deepen in sophistication. Paradoxically ...
... expression of the artist's passion for autonomy, are also at work (Johnson, 1999). Clearly, without a continuous practice and study of an approach by a committed group of people, the method cannot deepen in sophistication. Paradoxically ...
Pagina 22
... expressing a unique perspective on drama therapy and at the same time being able to communicate effectively with the broader community. Balancing these demands successfully will indeed be the path toward further maturity of the ...
... expressing a unique perspective on drama therapy and at the same time being able to communicate effectively with the broader community. Balancing these demands successfully will indeed be the path toward further maturity of the ...
Pagina 23
... Expression and Self-Acceptance in Drama Therapy. Filmed by and Co-produced with Brandy Brawner. Available from author. Jennings, S. (1987). Dramatherapy: Theory and practice 1. London: Jessica Kingsley. Jennings, S. (1992). Dramatherapy ...
... Expression and Self-Acceptance in Drama Therapy. Filmed by and Co-produced with Brandy Brawner. Available from author. Jennings, S. (1987). Dramatherapy: Theory and practice 1. London: Jessica Kingsley. Jennings, S. (1992). Dramatherapy ...
Pagina 25
... expression, and transformation. POPULATIONS. AND. CONTEXTS. Nearly all the approaches in this book are suitable for a wide range of populations and age groups, and are not population-specific. Nearly all the approaches use group work. With ...
... expression, and transformation. POPULATIONS. AND. CONTEXTS. Nearly all the approaches in this book are suitable for a wide range of populations and age groups, and are not population-specific. Nearly all the approaches use group work. With ...
Inhoudsopgave
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89 | |
RITUALTHEATRETHERAPY | 117 |
HEALING THE WOUNDS OF HISTORYDRAMA THERAPY IN COLLECTIVE TRAUMA ANDINTERCULTURAL CONFLICT RESOLUTION | 145 |
THE ENACT METHOD OF EMPLOYINGDRAMA THERAPY IN SCHOOLS | 284 |
THE STOPGAP APPROACHTO DRAMA THERAPY | 308 |
THE BERGMAN DRAMA THERAPYAPPROACH CREATING THERAPEUTICCOMMUNITIES IN PRISONS | 330 |
REHEARSALS FOR GROWTHDRAMA THERAPY WITH COUPLES | 355 |
PERFORMANCE IN DRAMA THERAPY | 374 |
PSYCHODRAMA | 393 |
SOCIODRAMA | 424 |
PLAYBACK THEATREA FRAME FOR HEALING | 445 |
NARRADRAMAA NARRATIVE APPROACHTO DRAMA THERAPY | 172 |
OMEGA TRANSPERSONALAPPROACH TO DRAMA THERAPY | 205 |
PSYCHOANALYTIC APPROACHTO DRAMA THERAPY | 235 |
THE DEVELOPMENTAL THEMESAPPROACH IN DRAMA THERAPY | 252 |
THEATRE OF THE OPPRESSEDDRAMA THERAPY AS CULTURAL DIALOGUE | 461 |
INDEX OF DRAMA THERAPY CONCEPTS | 509 |
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Veelvoorkomende woorden en zinsdelen
action actors adolescents aesthetic distance approach archetypal Arts in Psychotherapy asked audience Augusto Boal become begin behavior Boal Boal’s catharsis Chapter character child clients clinical Concordia University countertransference create creative arts therapies cultural Dance Therapy Developmental director drama therapy dream Elaine emotional Emunah ENACT enactor ence example exercise experience explore expression facilitator feelings Five Phase Model group members Group Psychotherapy healing human images improvisation individual Integrative Five Phase interaction issues Johnson Landy Lewis lives ment Moreno mother move Narradrama Narrative one’s participants performance person Playback Theatre playspace practice protagonist psychodrama rehearsal relationship response rience ritual Role Method role play role theory Romania Sara scene session shaman share social sociodrama sociometry space spontaneity staff stage STOP-GAP story techniques theatrical themes ther thera therapeutic therapeutic community therapist tion tive Transformations Transpersonal trauma warm-up Wiener workshop York