steady all the while he speaks; and notwithstanding any anxieties which he pretends for his mistress, his country, or his friends, one may see by his action, that his greatest care and concern is to keep the plume of feathers from falling off his head. For my own part, when I see a man uttering his complaints under such a mountain of feathers, I am apt to look upon him rather as an unfortunate lunatic than a distressed hero. As these superfluous ornaments upon the head make a great man, a princess generally receives her grandeur from those additional incumbrances that fall into her tail: I mean the broad sweeping train that follows her in all her motions, and finds constant employment for a boy who stands behind her to open and spread it to advantage. I do not know how others are affected at this sight, but I must confess my eyes are wholly taken up with the page's part; and as for the queen, I am not so attentive to any thing she speaks, as to the right adjusting of her train, lest it shouldchance to trip up her heels, or incommode her, as she walks to and fro upon the stage. It is, in my opinion, a very odd spectacle, to see a queen venting her passion in a disordered motion, a little boy taking care all the while that they do not ruffle the tail of her gown. The parts that the two persons act on the stage at the same time are very different: the princess is afraid lest she should incur the displeasure of the king her father, or lose the hero her lover, whilst her attendant is only concerned lest she should entangle her feet in her petticoat. We are told that an ancient tragic poet, to move the pity of his audience for his exiled kings and distressed heroes, used to make the actors represent them in dresses and clothes that were thread-bare and decayed.This artifice for moving pity seems as ill contrived as that we have been speaking of, to inspire us with a great idea of the persons introduced upon the stage. In short, I would have our conceptions raised by the dignity of thought and sublimity of expression, rather than by a train of robes or a plume of feathers. Another mechanical method of making great men, and adding dignity to kings and queens, is to accompany them with halberts and battle-axes. Two or three shifters of scenes, with the two candle-snuffers, make up a com. plete body of guards upon the English stage; and by the addition of a few porters dressed in red coats can represent above a dozen legions. I have somtimes seen a couple of armies drawn up together upon the stage, when the poet has been disposed to do honour to his generals. It is impossible for the reader's imagination to multiply twenty men into such prodigious multitudes, or to fancy that two or three hundred thousand soldiers are fighting in a room of forty or fifty yards in com pass. Incidents of such a nature should be told, not represented. Non tamen intus Digna geri promes in scenam: multaque tolles Yet there are things improper for a scene, HOR. ARS. POET. 182. ROSCOMMON. I should therefore, in this particular, recommend to my countrymen the example of the French stage, where the kings and queens always appear unattended, and leave their guards behind the scenes. I should likewise be glad if we imitated the French in banishing from our stage the noise of drums, trumpets, and huzzas; which is sometimes so very great, that when there is a battle in the Hay-Market theatre, one may hear it as far as Charing-Cross. I have here only touched upon those particulars which are made use of to raise and aggrandize the persons of a tragedy; and shall shew in another paper the several expedients which are practised by authors of a vulgar genius to move terror, pity, or admiration in their hearers. The tailor and the painter often contribute to the success of a tragedy more than the poet. Scenes affect ordi. nary minds as much as speeches; and our actors are very sensible that a well dressed play has sometimes brought them as full audiences as a well-written one. The Italians have a very good phrase to express this art of imposing upon the spectators by appearances: they call it the Fourberia della fcena, "The kavery or trickish part of the drama." But however the show and outside of the tragedy may work upon the vulgar, the more understanding part of the audience immediately see through it, and despise it. A good poet will give the reader a more lively idea of an army or a battle in a description, than if he actually saw them drawn up in squadrons and battalions, or engaged in the confusion of a fight. Our minds should be opened to great conceptions, and inflamed with glorious. sentiments, by what the actor speaks, more than by what he appears. Can all the trappings or equipage of a king or hero give BRUTUS half that pomp and majesty which he receives from a few lines in SHAKESPEARE? C. NO. 43.THURSDAY, APRIL 19. 1711. [BY STEELE.] Hæ tibi erunt artes; pacisque imponere morem, VIRG. EN. vi. 853. Be these thy arts: to bid contention cease, ON CLUB POLITICIANS. THERE HERE are crowds of men, whose great misfortune it is that they were not bound to mechanic arts or trades; it being absolutely necessary for them to be led by some continual task or employment. These are such as we commonly call dull fellows; persons who, for want of something to do, out of a certain vacancy of thought, rather than curiosity, are ever meddling with things for which they are unfit. I cannot give you a notion of them better than by presenting you with a letter from a gentleman, who belongs to a society of this order of men, residing at Oxford. 66 SIR, OXFORD, APRIL 13. 1711. "IN some of your late speculations, I find some sketches towards an history of clubs: but you seem to me to shew them in somewhat too ludicrous a light. I have well weighed that matter, and think that the most important negociations may be best carried on in such assemblies. I shall, therefore, for the good of mankind, for which I trust you and I are equally concerned, propose an institution of that nature for example's sake. "I must confess the design and transactions of two many clubs are trifling, and manifestly of no consequences to the nation or public weal: those I will give you up. But you must do me then the justice to own, that nothing can be more useful or laudable than the scheme we go upon. To avoid nicknames and witticisms, we call ourselves The Hebdomadal Meeting' our president continues for a year at least, and sometimes four or five; we are all grave, serious, designing men in our way we think it our duty, as far as in us lies, to take care the constitution receives no harm. ne quid detri menii res capiat publica: to censure doctrines or facts, persons or things, which we do not like; to settle the nation at home, and to carry on the war abroad, where and in what manner we see fit. If other people are not of our opinion, we cannot help that. It were better they were. Moreover, we now and then condescend to direct, in some measure, the little affairs of our own university. Verily, Mr SPECTATOR, we are much offended at the act for importing French wines; a bottle or two of good solid edifying Port at honest GEORGE's made a night cheerful, and threw off reserve. But this plaguy French claret will not only cost us more money, but do us less good had we been aware of it, before it had gone too far, I must tell you, we would have petitioned to be heard upon that subject. But let that pass. "I must let you know likewise, good Sir, that we look upon a certain northern Prince's march, in conjunction with infidels, to be palpably against our good will and liking, and, for all Monsieur PALMQUIST, a most dangerous innovation; and we are by no means yet sure, that some people are not at the bottom on't. At least, my own private letters leave room for a politician, well versed in matters of this nature, to suspect as much, as a penetrating friend of mine tells me. "We think we have at last done the business with the malecontents in Hungary, and shall clap up a peace there. What the neutrality army is to do, or what the army in Flanders, and what two or three other princes, is not yet fully determined among us; and we wait impatiently for the coming in of the next Dyer, who, you must know, is our authentic intelligence, our ARISTOTLE in politics. And it is indeed but fit there should be some dernier resort, the absolute decider of all controversies. "We were lately informed that the gallant trainedbands had patrolled all night long about the streets of London: we indeed could not imagine any occasion for it, we guessed not a tittle on't aforehand, we were in nothing of the secret; and that city-tradesmen, or their apprentices, should do duty, or work during the holidays, we thought absolutely impossible. But Dyer being positive in it, and some letters from other people, who had talked with some who had it from those who should know, giving some countenance to it, the chairman reported from the committee, appointed to examine into that affair, That it was possible there might be something in't. I have much more to say to you, but my two good friends and neighbours, DOMINIC and SLYBOOTS, are just come in, and the coffee's ready. I am, in the meantime, Mr SPECTATOR, Your admirer and humble servant, You may observe the turn of their minds tends only to novelty, and not satisfaction in any thing. It would be disappointment to them to come to certainty in any thing; for that would gravel them, and put an end to their inquiries, which dull fellows do not make for information, but for exercise. I do not know but this may be a very good way of accounting for what we frequently see, to wit, that dull fellows prove very good men of business. Business relieves them from their own natural heaviness, by furnishing them with what to do; where |
