The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina 3
... English Line ' , offer the most original contributions . The meta - text of endnotes , recorded at the end of each chapter , both records the great contribution of other ... English poetry - the development of the poem 3 Introduction.
... English Line ' , offer the most original contributions . The meta - text of endnotes , recorded at the end of each chapter , both records the great contribution of other ... English poetry - the development of the poem 3 Introduction.
Pagina 4
Semiotic Conventions from Old to Modern English Rosemary Huisman. periods of English poetry - the development of the poem in the twelfth century as a visual object , and the development of a highly literate sub- jectivity for ...
Semiotic Conventions from Old to Modern English Rosemary Huisman. periods of English poetry - the development of the poem in the twelfth century as a visual object , and the development of a highly literate sub- jectivity for ...
Pagina 9
Semiotic Conventions from Old to Modern English Rosemary Huisman. used the word initially ) recognized in a culture , in a given place and time and social milieu , the manner of that recognition ( which semiotically may be intra- or ...
Semiotic Conventions from Old to Modern English Rosemary Huisman. used the word initially ) recognized in a culture , in a given place and time and social milieu , the manner of that recognition ( which semiotically may be intra- or ...
Pagina 14
Semiotic Conventions from Old to Modern English Rosemary Huisman. texts and the textual product , the poem , that marks the end or beginning of these processes . Bernstein speaks of two systems of rules regulated by framing , those of ...
Semiotic Conventions from Old to Modern English Rosemary Huisman. texts and the textual product , the poem , that marks the end or beginning of these processes . Bernstein speaks of two systems of rules regulated by framing , those of ...
Pagina 15
... poetry ' ? Spatial arrangement in lines has been a convention associated with written texts of poetic discourse in English at least since the time of Chaucer , about 1400. For much of this time , the arrangement has been primarily a ...
... poetry ' ? Spatial arrangement in lines has been a convention associated with written texts of poetic discourse in English at least since the time of Chaucer , about 1400. For much of this time , the arrangement has been primarily a ...
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |