Shakespeare's TragediesRoutledge, 11 okt 2013 - 280 pagina's First published in 1951. G B Harrison here recognizes that Shakespeare's tragedies were intended for performance in a theatre and that the playwright's conspicuous gift among his contemporaries was a sympathy for joy and sorrow, pity and terror, and right and wrong of his people. The plays covered are: Titus Andronicus, Romeo and Juliet, Julius Caesar, Hamlet, Troilus and Cressida, Othello, King Lear, Macbeth, Antony and Cleopatra, Coriolanus and Timon of Athens. |
Vanuit het boek
Resultaten 11-15 van 91
Pagina 20
... Shakespeare's , the most read of all Elizabethan plays . Apart from its fine poetry ( which is , incidentally , confined to less than half a dozen passages ) , it is again the story of a common problem , especially to academic persons ...
... Shakespeare's , the most read of all Elizabethan plays . Apart from its fine poetry ( which is , incidentally , confined to less than half a dozen passages ) , it is again the story of a common problem , especially to academic persons ...
Pagina 21
... play is or is not capable of producing it . It follows that the perfect appreciation of Shakespeare's plays can only be achieved in the theatre , but such appreciation implies also a perfect or at least superlative production , which is ...
... play is or is not capable of producing it . It follows that the perfect appreciation of Shakespeare's plays can only be achieved in the theatre , but such appreciation implies also a perfect or at least superlative production , which is ...
Pagina 22
G B Harrison. a performance of any but the most obvious of Shakespeare's plays . We must , therefore , fall back on ourselves and recreate the plays in our own imaginations . Here is the place of the modern critic of Shakespeare . His ...
G B Harrison. a performance of any but the most obvious of Shakespeare's plays . We must , therefore , fall back on ourselves and recreate the plays in our own imaginations . Here is the place of the modern critic of Shakespeare . His ...
Pagina 23
G B Harrison. Elizabethan plays are full of these digressions . Indeed , some of the most famous passages in Shakespeare's plays and elsewhere are , in their contexts , not only superfluous to the action but sometimes even inconsistent ...
G B Harrison. Elizabethan plays are full of these digressions . Indeed , some of the most famous passages in Shakespeare's plays and elsewhere are , in their contexts , not only superfluous to the action but sometimes even inconsistent ...
Pagina 24
... plays , it is true , do not often present these problems , and purists such as Ben Jonson were careful to avoid them . But Shakespeare's method and intention throughout his plays was rather to convince the spectator of the truth of what ...
... plays , it is true , do not often present these problems , and purists such as Ben Jonson were careful to avoid them . But Shakespeare's method and intention throughout his plays was rather to convince the spectator of the truth of what ...
Inhoudsopgave
9 | |
2 Titus Andronicus | 30 |
3 Romeo and Juliet | 47 |
4 Julius Caesar | 65 |
5 Hamlet | 88 |
6 Troylus and Cressida | 111 |
7 Othello | 131 |
8 King Lear | 158 |
9 Macbeth | 184 |
10 Antony and Cleopatra | 203 |
11 Coriolanus | 227 |
12 Timon of Athens | 253 |
Epilogue | 271 |
Index | 275 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
Aaron Achilles Ajax Alcibiades Antony and Cleopatra Antony's Apemantus audience Aufidius Bassianus begins blood Brabantio Brutus Cassio character Claudius comes Cordelia Coriolanus critics curtains dead death deep tragedy Desdemona drama Edmund Elizabethan Emilia emotions Enobarbus enters episode eyes father feeling follows Friar friends give Gloucester Goneril Greek Hamlet hand hath heart Hector honour husband Iago Iago's inner stage Julius Caesar kill King Lady Capulet Laertes Lavinia Lear Lord Lucius Macbeth main stage Martius Menenius mind moral mother murder nature never night Octavius Othello Pandarus passes Patroclus Plutarch Queen realize Regan replies returns revenge Revenge Play Roderigo Roman Rome Romeo and Juliet Saturninus scene sense Shakespeare Shakespeare's plays soldier soliloquy Spanish Tragedy speak speech stage direction story Tamora thee Thersites thou Timon Titus Andronicus tragic tribunes Troylus and Cressida Tybalt Ulysses upper stage utter vengeance Volumnia wife words young