A Companion to MiltonThomas N. Corns John Wiley & Sons, 15 apr 2008 - 544 pagina's The diverse and controversial world of contemporary Milton studies is brought alive in this stimulating Companion.
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Pagina 3
... most an end faulty: But those frequent songs throughout the law and prophets beyond all these, not in their divine argument alone, but in the very Much as the Renaissance Italian critic Minturno did (Minturno 1559: 1 Genre.
... most an end faulty: But those frequent songs throughout the law and prophets beyond all these, not in their divine argument alone, but in the very Much as the Renaissance Italian critic Minturno did (Minturno 1559: 1 Genre.
Pagina 4
Thomas N. Corns. Much as the Renaissance Italian critic Minturno did (Minturno 1559: 3), Milton thought in terms of three ... critics often repeated the Horatian formula for the purpose of poetry, to teach and delight, and Sidney added to ...
Thomas N. Corns. Much as the Renaissance Italian critic Minturno did (Minturno 1559: 3), Milton thought in terms of three ... critics often repeated the Horatian formula for the purpose of poetry, to teach and delight, and Sidney added to ...
Pagina 18
... critics have been, by Milton's choosing as his subject the Temptation in the Wilderness instead of the Passion±Crucifixion narrative, and by his portrait of an austere, nay-saying Jesus who discounts and refuses all worldly pleasures ...
... critics have been, by Milton's choosing as his subject the Temptation in the Wilderness instead of the Passion±Crucifixion narrative, and by his portrait of an austere, nay-saying Jesus who discounts and refuses all worldly pleasures ...
Pagina 37
... critics' of the Bible. That is not to say, of course, that the Bible was only a work of literature to him. Scripture was the revealed Word of God. But it does mean that when Milton interpreted the Bible, he did so not only with the ...
... critics' of the Bible. That is not to say, of course, that the Bible was only a work of literature to him. Scripture was the revealed Word of God. But it does mean that when Milton interpreted the Bible, he did so not only with the ...
Pagina 50
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Inhoudsopgave
PART II Politics and Religion | 107 |
PART III Texts | 211 |
PART IV Influences and Reputation | 445 |
PART V Biography | 481 |
Consolidated Bibliography | 499 |
General Index | 521 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
Abdiel Adam and Eve Adam's allusion angels Areopagitica argued argument Arminian authority baroque biblical bishops Book Calvinist century Charles Christ Christian church classical Comus contemporary court CPW VII critics culture Dalila death divine divorce Doctrine drama early earth edition Eikonoklastes England English epic Eve's Faerie Queene faith Fall fallen genre God's heaven hell human interpretation John John Milton King language Latin liberty lines literary Long Parliament Lycidas masque means Milton monarchy Monck monody moral narrative nature Norbrook obedience pamphlet Paradise Lost Paradise Regained Parliament pastoral poem poet poetic poetry polemical political prelapsarian Presbyterians printed prose Protestant puritan radical Raphael readers Readie and Easie reading reason Reformation regicide religious republican Restoration rhetorical Roman royalist Samson Agonistes Satan scripture sense seventeenth-century sexual sonnet Spenser spirit thee thir thou tracts tradition tragedy truth verse virtue voice words writing