The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... cultural turmoil predict social tumult? Many people thought so then; today we are not so sure, but that is because we live at the end of modernism, whereas they ... culture lost in 1980 that the avant-garde had in THE MECHANICAL PARADISE.
... cultural turmoil predict social tumult? Many people thought so then; today we are not so sure, but that is because we live at the end of modernism, whereas they ... culture lost in 1980 that the avant-garde had in THE MECHANICAL PARADISE.
Pagina
... culture could be explained to its inhabitants. For the French, and for Europeans in general, the great metaphor of this sense of change — its master-image, the one structure that seemed to gather all the meanings of modernity together ...
... culture could be explained to its inhabitants. For the French, and for Europeans in general, the great metaphor of this sense of change — its master-image, the one structure that seemed to gather all the meanings of modernity together ...
Pagina
... culture reinvented itself through technology in the last quarter of the nineteenth century and the first decades of the twentieth, seems almost preternatural. Thomas Alva Edison invented the phonograph, the most radical extension of ...
... culture reinvented itself through technology in the last quarter of the nineteenth century and the first decades of the twentieth, seems almost preternatural. Thomas Alva Edison invented the phonograph, the most radical extension of ...
Pagina 4
... cultural artefacts were ritual carvings, to which the French assigned no importance whatsoever as art. They thought of them as curiosities, and as such they were an insignificant part of the flood of raw material that France was ...
... cultural artefacts were ritual carvings, to which the French assigned no importance whatsoever as art. They thought of them as curiosities, and as such they were an insignificant part of the flood of raw material that France was ...
Pagina 5
... cultural resources — the Africans, remote in their otherness. But if one compares a work like Picasso's Les ... culture. With its hacked contours, staring interrogatory eyes, and general feeling of instability, Les Demoiselles ...
... cultural resources — the Africans, remote in their otherness. But if one compares a work like Picasso's Les ... culture. With its hacked contours, staring interrogatory eyes, and general feeling of instability, Les Demoiselles ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York