A Companion to MiltonThomas N. Corns John Wiley & Sons, 15 apr 2008 - 544 pagina's The diverse and controversial world of contemporary Milton studies is brought alive in this stimulating Companion.
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Pagina 12
... line 1) voices a bitter complaint against a taskmaster God who seems to demand service even from a blind poet, then ... lines 13±14). Most remarkable, perhaps, is `On the late Massacre in Piedmont', which transforms the sonnet into a ...
... line 1) voices a bitter complaint against a taskmaster God who seems to demand service even from a blind poet, then ... lines 13±14). Most remarkable, perhaps, is `On the late Massacre in Piedmont', which transforms the sonnet into a ...
Pagina 15
... (lines 320±1). By contrast, Milton's opening lines indicate that the true restoration will not be effected by an English Augustus but must await a divine hero: `till one greater. Genre 15.
... (lines 320±1). By contrast, Milton's opening lines indicate that the true restoration will not be effected by an English Augustus but must await a divine hero: `till one greater. Genre 15.
Pagina 17
... (lines 66±7) ± or for epic, he implies, since drama and epic are of the same genus. In the preface, Dryden states ... line lengths and some irregular rhyme, eschews every vestige of exotic spectacle, links erotic passion with idolatry ...
... (lines 66±7) ± or for epic, he implies, since drama and epic are of the same genus. In the preface, Dryden states ... line lengths and some irregular rhyme, eschews every vestige of exotic spectacle, links erotic passion with idolatry ...
Pagina 20
... (line 271). Yet in the drama's historical moment a future in bondage is not yet fixed and choices are still possible ... (lines 1755±6), moral and political, that Samson's experience offers to the Danites and that Milton's dramatization ...
... (line 271). Yet in the drama's historical moment a future in bondage is not yet fixed and choices are still possible ... (lines 1755±6), moral and political, that Samson's experience offers to the Danites and that Milton's dramatization ...
Pagina 23
... line 4, Moses in lines 6±11, three sacred mountains and Siloa's brook). Thus `Aonian' sticks out, as the kind of classical allusion which must receive a gloss, but which may also irritate the reader who is eager to get up steam. `Aonian ...
... line 4, Moses in lines 6±11, three sacred mountains and Siloa's brook). Thus `Aonian' sticks out, as the kind of classical allusion which must receive a gloss, but which may also irritate the reader who is eager to get up steam. `Aonian ...
Inhoudsopgave
PART II Politics and Religion | 107 |
PART III Texts | 211 |
PART IV Influences and Reputation | 445 |
PART V Biography | 481 |
Consolidated Bibliography | 499 |
General Index | 521 |
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Abdiel Adam and Eve Adam's allusion angels Areopagitica argued argument Arminian authority baroque biblical bishops Book Calvinist century Charles Christ Christian church classical Comus contemporary court CPW VII critics culture Dalila death divine divorce Doctrine drama early earth edition Eikonoklastes England English epic Eve's Faerie Queene faith Fall fallen genre God's heaven hell human interpretation John John Milton King language Latin liberty lines literary Long Parliament Lycidas masque means Milton monarchy Monck monody moral narrative nature Norbrook obedience pamphlet Paradise Lost Paradise Regained Parliament pastoral poem poet poetic poetry polemical political prelapsarian Presbyterians printed prose Protestant puritan radical Raphael readers Readie and Easie reading reason Reformation regicide religious republican Restoration rhetorical Roman royalist Samson Agonistes Satan scripture sense seventeenth-century sexual sonnet Spenser spirit thee thir thou tracts tradition tragedy truth verse virtue voice words writing