The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina iv
... literature . 8. Literary form . 9 Poetics . I. Title . PR502.H75 1998 821.009 - dc21 Typeset by York House Typographic Ltd Printed and bound in Great Britain by Bookcraft ( Bath ) Ltd , Midsomer Norton 97-48708 CIP Contents ...
... literature . 8. Literary form . 9 Poetics . I. Title . PR502.H75 1998 821.009 - dc21 Typeset by York House Typographic Ltd Printed and bound in Great Britain by Bookcraft ( Bath ) Ltd , Midsomer Norton 97-48708 CIP Contents ...
Pagina viii
... ( Literature in North Queensland ) ( 1992 ) . Stephen Mallick , for ' First Kill ' from Overland ( 1993 ) . This poem was published under the pseudonym of Stephen Anthony . I dedicate this book to the memory of my parents , Doris Isabella ...
... ( Literature in North Queensland ) ( 1992 ) . Stephen Mallick , for ' First Kill ' from Overland ( 1993 ) . This poem was published under the pseudonym of Stephen Anthony . I dedicate this book to the memory of my parents , Doris Isabella ...
Pagina 7
... Literature : An Introduction to the Theory of Genres and Modes . The word genre has been used in various ways , but initially I want to use it to make two broad generalizations . Studying the meanings of a genre in its historical ...
... Literature : An Introduction to the Theory of Genres and Modes . The word genre has been used in various ways , but initially I want to use it to make two broad generalizations . Studying the meanings of a genre in its historical ...
Pagina 8
... literature ) , then you may accept that the text is a poem and read it accordingly , noting perhaps its transfer from the everyday register of ' seed packet instructions ' . Or , more immediately from the text itself , you may recognize ...
... literature ) , then you may accept that the text is a poem and read it accordingly , noting perhaps its transfer from the everyday register of ' seed packet instructions ' . Or , more immediately from the text itself , you may recognize ...
Pagina 9
... as this discussion proceeds ) .8 From the vantage point of this approach , located in the sociology of literature , it makes no sense to ask questions like ' what is genre ? ' ( or what is 9 Poetic Discourse and Genre.
... as this discussion proceeds ) .8 From the vantage point of this approach , located in the sociology of literature , it makes no sense to ask questions like ' what is genre ? ' ( or what is 9 Poetic Discourse and Genre.
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |