The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina 3
... prose- poem discussed , with particular reference to the writing of the Russian semiotician , Jurij ( also Juri ) Lotman . Chapter 2 , ' The Seen Poem and its Semiosis ' , gives a short account of the semiotic complexity possible in the ...
... prose- poem discussed , with particular reference to the writing of the Russian semiotician , Jurij ( also Juri ) Lotman . Chapter 2 , ' The Seen Poem and its Semiosis ' , gives a short account of the semiotic complexity possible in the ...
Pagina 10
... prose , drama , sonnet , short story , epic , with their multifarious criteria of recognition ( rather like the categories of traditional grammar ) . We could list the usually socially qual- ified uses in cultural studies : detective ...
... prose , drama , sonnet , short story , epic , with their multifarious criteria of recognition ( rather like the categories of traditional grammar ) . We could list the usually socially qual- ified uses in cultural studies : detective ...
Pagina 12
... prose , a differentiation believed to derive from Aristotle's three modes of communication.'8 However , to be more compat- ible with Bernstein's usage , I will now use the phrase ' poetic discourse ' rather than ' genre of poetry ' to ...
... prose , a differentiation believed to derive from Aristotle's three modes of communication.'8 However , to be more compat- ible with Bernstein's usage , I will now use the phrase ' poetic discourse ' rather than ' genre of poetry ' to ...
Pagina 13
... prose ] , ( p . 20 ) - This is a Saussurean - like principle of paradigmatic contrast - value assigned to a sign not ... prose , poetry and the prose - poem . I have not here laboured Bernstein's own principal concern , in which he ...
... prose ] , ( p . 20 ) - This is a Saussurean - like principle of paradigmatic contrast - value assigned to a sign not ... prose , poetry and the prose - poem . I have not here laboured Bernstein's own principal concern , in which he ...
Pagina 18
... prose appear in the opening pages of Chapter 6 , ' Elements and Levels of the Paradigmatics of the Artistic Text'.28 Lotman points out the illusion of equating ordinary speech with literary prose . He reminds us that , historically ...
... prose appear in the opening pages of Chapter 6 , ' Elements and Levels of the Paradigmatics of the Artistic Text'.28 Lotman points out the illusion of equating ordinary speech with literary prose . He reminds us that , historically ...
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |