The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina 19
... prose . Lotman quotes a claim from Hrabak that certain Russian poems not graphically signalled as poems , that is , not printed in lines , were none the less clear in their traditional phonological signals , with a standard verse with ...
... prose . Lotman quotes a claim from Hrabak that certain Russian poems not graphically signalled as poems , that is , not printed in lines , were none the less clear in their traditional phonological signals , with a standard verse with ...
Pagina 20
... prose relation over every twenty years or so . In contrast , I will briefly explore these matters , using examples of English poetry in gross cultural contrast : on the one hand , Old English poetry and early medieval poetry , recorded ...
... prose relation over every twenty years or so . In contrast , I will briefly explore these matters , using examples of English poetry in gross cultural contrast : on the one hand , Old English poetry and early medieval poetry , recorded ...
Pagina 21
... prose ' , so that to invoke this poetic consciousness for texts whose language is not overtly poetic in traditional devices , the border between verse and prose ' must be clearly discernible ' . In distinguishing verse from prose ...
... prose ' , so that to invoke this poetic consciousness for texts whose language is not overtly poetic in traditional devices , the border between verse and prose ' must be clearly discernible ' . In distinguishing verse from prose ...
Pagina 22
... prose - poem . Thus , in a no doubt deliberate oxymoron , Margueritte Murphy calls her book - length study of the prose - poem in modern English , A Tradition of Subversion.36 But if it is part of the convention of these prose - poems ...
... prose - poem . Thus , in a no doubt deliberate oxymoron , Margueritte Murphy calls her book - length study of the prose - poem in modern English , A Tradition of Subversion.36 But if it is part of the convention of these prose - poems ...
Pagina 23
... prose poem to experiment with related prose forms such as autobiography , the essay , and fiction . ' 38 The attempt to ' redefine the unit of attention ' from line to sentence is an attempt to shift attention from the graphic ...
... prose poem to experiment with related prose forms such as autobiography , the essay , and fiction . ' 38 The attempt to ' redefine the unit of attention ' from line to sentence is an attempt to shift attention from the graphic ...
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |