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Pagina 21
... children will be very curious to know the reason why their forefathers used to fit together like an audience of foreigners in their own country , and to hear whole plays acted before them in a tongue which they did not understand .
... children will be very curious to know the reason why their forefathers used to fit together like an audience of foreigners in their own country , and to hear whole plays acted before them in a tongue which they did not understand .
Pagina 25
Sir William Temple is very much puzzled to find out a reason why the northern hive , as he calls it , does not send out fuch prodigious fwarms , and over - run the world with Goths and Vandals , as it did formerly ; but had that ...
Sir William Temple is very much puzzled to find out a reason why the northern hive , as he calls it , does not send out fuch prodigious fwarms , and over - run the world with Goths and Vandals , as it did formerly ; but had that ...
Pagina 35
The ' reason that we are so little known in the world , is the fecrecy which we are obliged to live under in the university . Our conftitution runs counter to that of the place wherein we live ; for in love there are no doctors , and we ...
The ' reason that we are so little known in the world , is the fecrecy which we are obliged to live under in the university . Our conftitution runs counter to that of the place wherein we live ; for in love there are no doctors , and we ...
Pagina 46
For the fame reason I do not diflike the fpeeches in our English tragedy that clofe with an Hemiftic , or half verfe , notwithstanding the perfon who fpeaks after it begins a new verfe , without filling up the preceding one : nor with ...
For the fame reason I do not diflike the fpeeches in our English tragedy that clofe with an Hemiftic , or half verfe , notwithstanding the perfon who fpeaks after it begins a new verfe , without filling up the preceding one : nor with ...
Pagina 47
The warm and paffionate parts of a tragedy are always the moft taking with the audi ence ; for which reason we often fee the players pronouncing , in all the violence of action , feveral parts of the tragedy which the author writ with ...
The warm and paffionate parts of a tragedy are always the moft taking with the audi ence ; for which reason we often fee the players pronouncing , in all the violence of action , feveral parts of the tragedy which the author writ with ...
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able action admiration appear beauty becauſe behaviour believe body carried character common confider converfation defire eyes face faid fall fame father feems fenfe fervant feveral fhall fhew fhould fide fince fome fortune fubject fuch give given hand head hear heart himſelf honour hope human humble humour imagination keep kind lady laft learned letter live look mankind manner matter means meet mention mind moft moſt myſelf nature never obferve obliged occafion opinion paffion pafs particular perfon pleaſure poet prefent proper reader reafon received Spectator taken tell thefe themſelves theſe thing thofe thoſe thought tion told town turn virtue whole wife woman women write young
Bibliografische gegevens
| Titel | The Spectator Volume 1 van The Spectator:, Sir Richard Steele |
| Auteurs | Joseph Addison, Sir Richard Steele |
| Uitgever | Richard Eyres, 1778 |
| Oorspronkelijk uit | Openbare bibliotheek van Lyon |
| Gedigitaliseerd | 14 okt 2011 |
| Citatie exporteren | BiBTeX EndNote RefMan |