The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
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Pagina 14
... poem , that marks the end or beginning of these processes . Bernstein speaks of two systems of rules regulated by ... seen ' poem is the focus of this book , so it is graphology , rather a ... poetry is the second , for in 14 The Written Poem.
... poem , that marks the end or beginning of these processes . Bernstein speaks of two systems of rules regulated by ... seen ' poem is the focus of this book , so it is graphology , rather a ... poetry is the second , for in 14 The Written Poem.
Pagina 16
... poem for which we have the poet's autograph . In Keats's writing , as accurately ... see that the three levels of indentation of the printed version have been contracted from an original five in the handwritten autograph 16 The Written Poem.
... poem for which we have the poet's autograph . In Keats's writing , as accurately ... see that the three levels of indentation of the printed version have been contracted from an original five in the handwritten autograph 16 The Written Poem.
Pagina 17
... poem ) . The printed layout brings together in indentation all lines which rhyme ( near- rhyme for ' bees ' / ' cease ... seen poem to its sound patterning . The interrelating of sound pattern and visual line is so well established that ...
... poem ) . The printed layout brings together in indentation all lines which rhyme ( near- rhyme for ' bees ' / ' cease ... seen poem to its sound patterning . The interrelating of sound pattern and visual line is so well established that ...
Pagina 19
... observed . The historical and cultural positioning of the writer / reader will determine what is observed as significant in the text . Lotman writes , for example , ' the difference between verse and prose lies not only in the material ...
... observed . The historical and cultural positioning of the writer / reader will determine what is observed as significant in the text . Lotman writes , for example , ' the difference between verse and prose lies not only in the material ...
Pagina 20
... poetry was realized as a spoken genre but not as a written genre ' . It is too easy then to see that generalization as functional in terms of a homogenized social context : that is , that Anglo - Saxon society was primarily oral rather ...
... poetry was realized as a spoken genre but not as a written genre ' . It is too easy then to see that generalization as functional in terms of a homogenized social context : that is , that Anglo - Saxon society was primarily oral rather ...
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |