The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... sense of cultural possibility, Arthur Rimbaud's injunction to be absolument modeme would have made no sense. With it, however, one could feel present at the end of one kind of history and the start of another, whose emblem was the ...
... sense of cultural possibility, Arthur Rimbaud's injunction to be absolument modeme would have made no sense. With it, however, one could feel present at the end of one kind of history and the start of another, whose emblem was the ...
Pagina 1
... — one synthesized view. They aimed to render that sense of multiplicity, which had been the subtext of Cézanne's late work, as the governing element of reality. 2 Paul Cézanne Mont Ste-Victoire 1904—6 Oil on canvas 29.
... — one synthesized view. They aimed to render that sense of multiplicity, which had been the subtext of Cézanne's late work, as the governing element of reality. 2 Paul Cézanne Mont Ste-Victoire 1904—6 Oil on canvas 29.
Pagina 7
... sense of order, mesure, and visual propriety. Some ideas are too fundamental, and contain too great a cultural loading, to be the invention of one man. So it was with Cubism. Picasso cleared the ground for Cubism, but it was Braque who ...
... sense of order, mesure, and visual propriety. Some ideas are too fundamental, and contain too great a cultural loading, to be the invention of one man. So it was with Cubism. Picasso cleared the ground for Cubism, but it was Braque who ...
Pagina 17
... sense that they, in the sphere of painting, are part of that great tide of modernist thought which included Einstein and the philosopher Alfred North Whitehead. “The misconception which has haunted philosophic literature throughout the ...
... sense that they, in the sphere of painting, are part of that great tide of modernist thought which included Einstein and the philosopher Alfred North Whitehead. “The misconception which has haunted philosophic literature throughout the ...
Pagina 19
... sense of useful realities, and of their timely application in the middle of the life-and-death drama into which we had been plunged. More than that: I found them poets, inventors of everyday poetic images - I am thinking of their ...
... sense of useful realities, and of their timely application in the middle of the life-and-death drama into which we had been plunged. More than that: I found them poets, inventors of everyday poetic images - I am thinking of their ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York