The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... wheel. Such motifs were too new, like the machine itself, so no exact representation of a car in stone could be as visually convincing as the car itself. 1 Camille Lefebvre Monument to Levassor, Porte Maillot, Paris 1907.
... wheel. Such motifs were too new, like the machine itself, so no exact representation of a car in stone could be as visually convincing as the car itself. 1 Camille Lefebvre Monument to Levassor, Porte Maillot, Paris 1907.
Pagina
... visual experience in terms of illusion had ever been invented; indeed, perspective in the fifteenth century was sometimes seen not only as a branch of mathematics but as an almost magical process, having something of the surprise that ...
... visual experience in terms of illusion had ever been invented; indeed, perspective in the fifteenth century was sometimes seen not only as a branch of mathematics but as an almost magical process, having something of the surprise that ...
Pagina 7
... visual propriety. Some ideas are too fundamental, and contain too great a cultural loading, to be the invention of one man. So it was with Cubism. Picasso cleared the ground for Cubism, but it was Braque who did most to develop its ...
... visual propriety. Some ideas are too fundamental, and contain too great a cultural loading, to be the invention of one man. So it was with Cubism. Picasso cleared the ground for Cubism, but it was Braque who did most to develop its ...
Pagina 13
... visual language within the frame. As this happened, their styles moved together and became, at least to the casual eye, almost indistinguishable. (It goes without saying that close looking dispels this: there is a great deal of ...
... visual language within the frame. As this happened, their styles moved together and became, at least to the casual eye, almost indistinguishable. (It goes without saying that close looking dispels this: there is a great deal of ...
Pagina 19
... Léger confessed that his great visual epiphany in the trenches had been “the breech of a 75-millimetre gun in the sunlight, the magic of light on white metal” — are applied to the human body, and even the insignia and medals on these.
... Léger confessed that his great visual epiphany in the trenches had been “the breech of a 75-millimetre gun in the sunlight, the magic of light on white metal” — are applied to the human body, and even the insignia and medals on these.
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York