A Companion to MiltonThomas N. Corns John Wiley & Sons, 15 apr 2008 - 544 pagina's The diverse and controversial world of contemporary Milton studies is brought alive in this stimulating Companion.
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Pagina 22
... voice distinctive, and gains him his readership. I shall be glancing at a few larger structures too, since these certainly draw benefit from his classical attainments; the emphasis, none the less, should remain on the texturing ...
... voice distinctive, and gains him his readership. I shall be glancing at a few larger structures too, since these certainly draw benefit from his classical attainments; the emphasis, none the less, should remain on the texturing ...
Pagina 25
... . When Satan first finds voice in the poem, speaking to his chief ally Beelzebub as they lie weltering upon the livid flood of hell, his words are If thou beest he; but oh how fallen! how changed. The Classical Literary Tradition 25.
... . When Satan first finds voice in the poem, speaking to his chief ally Beelzebub as they lie weltering upon the livid flood of hell, his words are If thou beest he; but oh how fallen! how changed. The Classical Literary Tradition 25.
Pagina 28
... voice which has authority. He seeks that authority by seeking, like his ancient models, to be heard as a doctus poeta, a `learned poet', in the same way that the ancient world esteemed its greatest poets. As readers, we ignore this role ...
... voice which has authority. He seeks that authority by seeking, like his ancient models, to be heard as a doctus poeta, a `learned poet', in the same way that the ancient world esteemed its greatest poets. As readers, we ignore this role ...
Pagina 32
... voice alongside the Roman content, while incorporating as a clincher that he does it `with this over and above of being a Christian'. For instance, Meminisses quid te non soluÁm libri sacri, sed etiam Lyricus doceat: ÐValet ima summis ...
... voice alongside the Roman content, while incorporating as a clincher that he does it `with this over and above of being a Christian'. For instance, Meminisses quid te non soluÁm libri sacri, sed etiam Lyricus doceat: ÐValet ima summis ...
Pagina 34
... voice to express the moment exactly before it is gone for ever. It is expressed all the more exactly because whereas no single avatar is enough, perhaps all of them together may approach exactness. The sequence reaches its climax upon ...
... voice to express the moment exactly before it is gone for ever. It is expressed all the more exactly because whereas no single avatar is enough, perhaps all of them together may approach exactness. The sequence reaches its climax upon ...
Inhoudsopgave
PART II Politics and Religion | 107 |
PART III Texts | 211 |
PART IV Influences and Reputation | 445 |
PART V Biography | 481 |
Consolidated Bibliography | 499 |
General Index | 521 |
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Abdiel Adam and Eve Adam's allusion angels Areopagitica argued argument Arminian authority baroque biblical bishops Book Calvinist century Charles Christ Christian church classical Comus contemporary court CPW VII critics culture Dalila death divine divorce Doctrine drama early earth edition Eikonoklastes England English epic Eve's Faerie Queene faith Fall fallen genre God's heaven hell human interpretation John John Milton King language Latin liberty lines literary Long Parliament Lycidas masque means Milton monarchy Monck monody moral narrative nature Norbrook obedience pamphlet Paradise Lost Paradise Regained Parliament pastoral poem poet poetic poetry polemical political prelapsarian Presbyterians printed prose Protestant puritan radical Raphael readers Readie and Easie reading reason Reformation regicide religious republican Restoration rhetorical Roman royalist Samson Agonistes Satan scripture sense seventeenth-century sexual sonnet Spenser spirit thee thir thou tracts tradition tragedy truth verse virtue voice words writing