The Written Poem: Semiotic Conventions from Old to Modern EnglishA&C Black, 1 sep 1998 - 192 pagina's This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century. |
Vanuit het boek
Resultaten 1-5 van 86
Pagina iv
... writing from the publishers . British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library . ISBN 0 304 33999 7 ( hardback ) 0 304 70734 1 ( paperback ) Library of Congress ...
... writing from the publishers . British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library . ISBN 0 304 33999 7 ( hardback ) 0 304 70734 1 ( paperback ) Library of Congress ...
Pagina v
... a Literate Subject , 1500-1800 127 Chapter 8 The Reading Subject and the Writing Subject , 1800-1990 143 Epilogue The Postmodern Subject and the New Media Poem 160 Bibliography 167 Index 179 This page intentionally left blank Contents.
... a Literate Subject , 1500-1800 127 Chapter 8 The Reading Subject and the Writing Subject , 1800-1990 143 Epilogue The Postmodern Subject and the New Media Poem 160 Bibliography 167 Index 179 This page intentionally left blank Contents.
Pagina vii
... writing . I am grateful to the following for permission to reproduce copyright material : University of California Press , for the English translation of the Preface to Un Coup de Des from Stephane Mallarme , Collected Poems of Stephane ...
... writing . I am grateful to the following for permission to reproduce copyright material : University of California Press , for the English translation of the Preface to Un Coup de Des from Stephane Mallarme , Collected Poems of Stephane ...
Pagina 2
... writing ( both writing down and composing ) of the poem . Again , such an attitude is historically and socially produced ; it assumes at least that the poet equates composing and writing and that the text is fixed and reproducible . To ...
... writing ( both writing down and composing ) of the poem . Again , such an attitude is historically and socially produced ; it assumes at least that the poet equates composing and writing and that the text is fixed and reproducible . To ...
Pagina 3
... writing of the Russian semiotician , Jurij ( also Juri ) Lotman . Chapter 2 , ' The Seen Poem and its Semiosis ' , gives a short account of the semiotic complexity possible in the visual realization of poetry , introducing the topics ...
... writing of the Russian semiotician , Jurij ( also Juri ) Lotman . Chapter 2 , ' The Seen Poem and its Semiosis ' , gives a short account of the semiotic complexity possible in the visual realization of poetry , introducing the topics ...
Inhoudsopgave
1 | |
5 | |
From Old English to Contemporary Poetry | 97 |
The Postmodern Subject and the New Media Poem | 160 |
Bibliography | 167 |
Index | 179 |
Overige edities - Alles bekijken
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Gedeeltelijke weergave - 1998 |
The Written Poem: Semiotic Conventions from Old to Modern English Rosemary Huisman Geen voorbeeld beschikbaar - 1999 |
Veelvoorkomende woorden en zinsdelen
alignment American Poetry Anglo-Norman Anglo-Saxon Anthology associated avant-garde Bernstein Black Riders Cambridge Chapter concrete poetry contemporary conventions couplet culture David Perkins described Dick Higgins discussion edition eighteenth century English poetry equated example framing free verse French function genre grammatical graphic display graphic realization graphology indentation Jerome McGann Latin layout lexicogrammar lineation linguistic literary literate literature London Lotman Mallarmé manuscript margin Marjorie Perloff meaning Media medieval metrical Middle English Mode modern Old English oral Oxford poetic discourse Press Princeton printed prose prose-poem punctuation punctus elevatus Radical Artifice reader reading practices relation relevant rhyme rhythm Romantic seen poem semantic semiosis semiotic of art spoken stanza Stéphane Mallarmé structure suggests syllable systemic functional grammar textual theory tion traditional twelfth century twentieth century typography vernacular versification Visible Language visual display visual object visual poetry voice William William Carlos Williams words writing written
Verwijzingen naar dit boek
From Sign to Signing: Iconicity in Language and Literature 3 Wolfgang G. Müller,Olga Fischer Gedeeltelijke weergave - 2003 |