The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina 17
... wrote, “is the notion of independent existence. There is no such mode of existence. Every entity is only to be understood in terms of the way in which it is interwoven with the rest of the universe.” One would be surprised to learn that ...
... wrote, “is the notion of independent existence. There is no such mode of existence. Every entity is only to be understood in terms of the way in which it is interwoven with the rest of the universe.” One would be surprised to learn that ...
Pagina 19
... wrote of his military service] on a level with the whole of the French people; my new companions in the Engineer Corps were miners, navvies, workers in metal and wood. Among them I discovered the French people their exact sense of ...
... wrote of his military service] on a level with the whole of the French people; my new companions in the Engineer Corps were miners, navvies, workers in metal and wood. Among them I discovered the French people their exact sense of ...
Pagina 19
... interventionist walk,” and the “Futurist march.” In 1917, he wrote sketches for one-act ballets in which a girl executed the “Dance of the MachineGun” and the “Dance of the Aviatrixz” 22 Robert Delaunay Homage to Blériot 1914 Oil on canvas.
... interventionist walk,” and the “Futurist march.” In 1917, he wrote sketches for one-act ballets in which a girl executed the “Dance of the MachineGun” and the “Dance of the Aviatrixz” 22 Robert Delaunay Homage to Blériot 1914 Oil on canvas.
Pagina 19
... wrote in 1907. “I want the new, the expressive, the formidable.” Formidable is the word for The City Rises, with its muscular red horse dissolving under the power of its own energy, in a shimmer of lambent brushstrokes; the straining ...
... wrote in 1907. “I want the new, the expressive, the formidable.” Formidable is the word for The City Rises, with its muscular red horse dissolving under the power of its own energy, in a shimmer of lambent brushstrokes; the straining ...
Pagina 25
... wrote, “is the sinister armoured figure of today and tomorrow. Nothing human, only the terrible Frankenstein's monster into which we have transformed ourselves.” Epstein never developed the possibilities of this image in other ...
... wrote, “is the sinister armoured figure of today and tomorrow. Nothing human, only the terrible Frankenstein's monster into which we have transformed ourselves.” Epstein never developed the possibilities of this image in other ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York