 ... During the first year that Mr. Wordsworth and I were neighbours, our conversations turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and the power...  William Wordsworth: A Biography - Pagina 326door Edwin Paxton Hood - 1856 - 508 pagina’sVolledige weergave - Over dit boek
 | John Livingston Lowes - 1927 - 694 pagina’s
...adherence to the truth of nature, and the power of giving the interest of novelty by the modifying colors of imagination. The sudden charm, which accidents...to represent the practicability of combining both. ... In this idea originated the plan of the " Lyrical Ballads "; in which it was agreed, that my endeavours... | |
 | 1928 - 536 pagina’s
...adhérence to thé truth of nature, and thé power of giving thé interest of novelty by thé modifying colours of imagination. The sudden charm, which accidents...known and familiar landscape, appeared .to represent thé practiuability of combining both. Thèse are thé poetry of nature. The thought suggested itself... | |
 | Vinayak Krishna Gokak - 1975 - 84 pagina’s
...of giving the interest of novelty by the modifying colours of the Imagination" (BL p. 5, Vol. II). "The sudden charm, which accidents of light and shade,...to represent the practicability of combining both" (BL p. 5, Vol. II). In this plan, Wordsworth was to choose subjects from ordinary life. His object... | |
 | Alan W. Bellringer, C. B. Jones - 1980 - 176 pagina’s
...interest of novelty by l4. Venice Preserv'd, V, J, 369. Otway has laurels' for 'lobsters'. the modifying colours of imagination. The sudden charm, which accidents...thought suggested itself (to which of us I do not recollect1 that a series of poems might be composed of two sorts. In the one, the incidents and agents... | |
 | 1994 - 110 pagina’s
...formulaic and reductive account of an extremely contradictory and highly collaborative relationship: The sudden charm, which accidents of light and shade,...to represent the practicability of combining both [truth of nature and colours of imagination]. The thought suggested itself (to which of us I do not... | |
 | Samuel Taylor Coleridge - 1984 - 860 pagina’s
...nature, and the power of giving the interest of novelty by the modifying colours of imagination. 3 The sudden charm, which accidents of light and shade,...appeared to represent the practicability of combining both.4 These are the poetry of nature. The ' C provides no formal "scholia", only a few examples (eg... | |
 | Eugene M. Waith - 1988 - 324 pagina’s
..."adherence to the truth of nature" and the "modifying colors of imagination" which Coleridge was to see in the "sudden charm which accidents of light and shade,...sun-set diffused over a known and familiar landscape." 16 Urged to delight the spectators with "Phantomes," Night now sings a song (following Delight's recitative),... | |
 | Darrel Abel - 1988 - 348 pagina’s
...proposed to himself as plausible for presenting the visions of a romantic imagination: to make use of "the sudden charm, which accidents of light and shade,...moonlight or sun-set diffused over a known and familiar landscape."10 Hawthorne had used the "moonlight of romance" (CE 10:337) as an agency of imaginative... | |
 | Karl Kroeber, Gene W. Ruoff - 1993 - 520 pagina’s
...— mutually possessed minds, if we care to edge his description toward the concerns of Christabel: "The thought suggested itself (to which of us I do...a series of poems might be composed of two sorts." Describing his and Wordsworth's respective tasks, Coleridge implies that the difference between the... | |
 | Kenneth R. Johnston - 1998 - 1018 pagina’s
...account of the origin of Lyrical Ballads: "the power of giving the interest of novelty by the modifying colours of imagination. The sudden charm, which accidents...to represent the practicability of combining both [truth to nature and novelty). These are the poetry of nature."91 Since they were not painters or watercolorists,... | |
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