The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called... The Literary Panorama and National Register - Pagina 5871816Volledige weergave - Over dit boek
| Henry Duff Traill - 1884 - 228 pagina’s
...from two to three hundred lines—if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the corresponding expressions, without any sensation or consciousness of effect. On awaking he appeared... | |
| 1885 - 668 pagina’s
...than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before* him as things, with a parallel production...without any sensation or consciousness of effort. On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen,... | |
| Sir Hall Caine - 1887 - 188 pagina’s
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
| Samuel Taylor Coleridge - 1888 - 330 pagina’s
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, withont any sensation or consciousness of effort. On awakening he appeared to himself to have a distinct... | |
| Samuel Taylor Coleridge - 1888 - 328 pagina’s
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent exSressious, without any sensation or consciousness of effort, n awakening he appeared to himself to... | |
| 1890 - 1372 pagina’s
...had the most vivid impression that he had composed between 200 and 300 lines. The images, he says, " rose up before him as things, with a parallel production of the correspondent expressions, without any sensations or consciousness of effort." On awakening, he had so distinct a remembrance of the whole,... | |
| William Ernest Henley - 1891 - 404 pagina’s
...than three hundred lines ' ; ' if that,' he adds, ' can be called composition, in which all the images rose up before him as things, with a parallel production...without any sensation or consciousness of effort.' On awakening, he proceeded to write out his ' composition,' and had set down as much of it as is printed... | |
| William Ernest Henley - 1891 - 394 pagina’s
...than three hundred lines ' ; ' if that,' he adds, ' can be called composition, in which all the images rose up before him as things, with a parallel production...without any sensation or consciousness of effort' On awakening, he proceeded to write out his ' composition,' and had set down as much of it as is printed... | |
| George Rhett Cathcart - 1892 - 572 pagina’s
...from two to three hundred lines, — if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
| Ainsworth Rand Spofford, Charles Gibbon - 1893 - 464 pagina’s
...than from two to three hundred lines, if that indeed can be called composition in which all the images rose up before him as things with a parallel production...sensation or consciousness of effort On awaking he appeared to himself to Ьате a distinct recollection of the whole, and taking his pen, ink, and... | |
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