 | Percy Bysshe Shelley - 1880 - 660 pagina’s
...adorn. The colours of his mind seemed yet unworn; For the v;ild language of his grief was high — Such as in measure were called poetry. And I remember one...men Are cradled into poetry by wrong: They learn in buffering what they teach in song." If I hart been an unconnected man, I, from this moment, should... | |
 | George Smith, William Makepeace Thackeray - 1874 - 818 pagina’s
...the keenest description, and many of his lyrics bear testimony to the truth of his averment that Most men Are cradled into poetry by wrong ; They learn in suffering what they teach in song. One cannot help thinking that Shelley's natural place in the world would be that of a spiritualized... | |
 | Jerome J. McGann - 1985 - 182 pagina’s
...Romantic ideology. This is what Shelley's famous passage on the nature of Romantic experience means: Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. ("Julian and Maddalo," 544-6) Shelley's presentation of the tensions and contradictions which typify... | |
 | Klaus Peter Müller - 1993 - 560 pagina’s
...Rebellion schreibe, aber nichts tue. Brenton legt Byron Verse aus Shelleys Julian and Maddalo in den Mund: "Most wretched men/ Are cradled into poetry by wrong,/...They learn in suffering what they teach in song." Howard glaubt, Byron/Shelley sagen, daß Ungerechtigkeit und Inhumanität die 'meisten unglücklichen... | |
 | Kay Redfield Jamison - 1996 - 388 pagina’s
...himself: The colours of his mind seemed yet unworn; For the wild language of his grief was high Such as in measure were called poetry; And I remember one...wrong, They learn in suffering what they teach in song. "40 Keats agreed. "Do you not see how necessary a World of Pains and troubles is to school an Intelligence... | |
 | Warren Stevenson - 1996 - 166 pagina’s
...if only others would do likewise. Byron-Maddalo sees the madman as a sort of poet manqu6: [Maddalo] said: 'Most wretched men Are cradled into poetry by...They learn in suffering what they teach in song.' (544-56) Julian-Shelley remarks upon the "deep tenderness" that the maniac has wrought within him.... | |
 | Robert F. Gleckner, Robert Gleckner, Bernard G. Beatty - 1997 - 426 pagina’s
...and Shelley's Count Maddalo (Byron) indicates the psychological aspect of it when he tells Julian: Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. (Julian and Maddalo, 11. 544-46) For Byron, this myth is epitomized in the repeated 'falls' which centre... | |
 | Archie Weller - 1999 - 400 pagina’s
...fire, Red Mond Star Light calls out for another song, for the youth seems enraptured by his poetry. 253 Most wretched men Are cradled into poetry by wrong; They learn in suffering what they teach in song, the old man begins in ominous tones. She is reminded of the better storytellers of her home when they... | |
 | Thomas R. Whitaker - 1999 - 332 pagina’s
...gives voice to the madman. And when Bysshe utters the words left in Julian's mind by Count Maddalo — Most wretched men Are cradled into poetry by wrong. They learn in suffering what they teach m song ("Julian and Maddalo" II. N44-4-'i) — we hear behind them a mad laughter that is also Byron's.... | |
 | James G. Hepburn - 2000 - 302 pagina’s
...nineteenth century in England Take physic, pomp; Expose thyself to feel what wretches feel. — Shakespeare Most wretched men Are cradled into poetry by wrong, They learn in suffering what they teach in song. —Shelley On summer nights — such nights as these — We're troubled very much with fleas. They... | |
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Most wretched men Are cradled into poetry by wrong: They learn in suffering what they teach in song. 
