...a spirit that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the...the mighty world Of eye and ear, — both what they half-create And what perceive ; well pleased to recognise In nature and the language of the sense,...

...a spirit that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the...the mighty world Of eye and ear, — both what they half-create And what perceive ; well pleased to recognise In nature and the language of the sense,...

...angry ape Plays such fantastic tricks before high heaven As make the angels weep. Measure for Measure. Therefore am I still A lover of the meadows and the...mountains, and of all that we behold From this green earth ; and of all the mighty world Of pye and ear, both what they half create And what perceive ; well pleased...

...Romantic artists intuited long ago the subjectivity that modern science confirms. Wordsworth writes of all that we behold From this green earth; of all...— both what they half create, And what perceive. . . . ("Lines Composed a Few Miles above Tintern Abbey," 11. 104-7) And Melville insists, "Say what...

...require that we consider our own role in the creation of landscape: the implications of Wordsworth's "mighty world / Of eye and ear — both what they half create / And what perceive." 4 As medievalists presently contemplating the places of the past, we are presently implicated in our...

...require that we consider our own role in the creation of landscape: the implications of Wordsworth's "mighty world / Of eye and ear — both what they half create / And what perceive."4 As medievalists presently contemplating the places of the past, we are presently implicated...

...spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods, 132 Wie Coleridge in seinem Gedicht „The Eolian Harp" ausführt, nimmt der Erkenntnisprozeß gerade...

...for the epistemological process itself, in its particular post-romantic situation entangled within "the mighty world / Of eye and ear, — both what they half create, / 9 The banality of one (re)current critical discovery that the object of knowledge is itself always...

...Abrams' famous book, The Mirror and the Lamp. When Wordsworth writes in "Tintern Abbey" about his love "of all that we behold / From this green earth; of all the mighty world / Of eye, and ear,—both what they half create, / And what perceive." 11 the reader understands that the half-perception...

...impels All thinking things, all objects of all thought, And rolls through all things. Therefore am 1 still A lover of the meadows and the woods, And mountains;...all the mighty world Of eye and ear, both what they half-create,* And what perceive; well pleased to recognise In nature and the language of the sense,...