 | Karl Kroeber, Gene W. Ruoff - 1993 - 520 pagina’s
...richer because of the context. Toward the end of the poem Coleridge hopes that Hartley will be able to "see and hear / The lovely shapes and sounds intelligible...Of that eternal language, which thy God / Utters. . . ." God is the "Great Universal Teacher." But whose universality are we talking about? My preferred... | |
 | Jack Stillinger - 1994 - 268 pagina’s
...thou see and hear The lovely shapes and sounds intelligible eo Of that eternal language, which ihy God Utters, who from eternity doth teach Himself in...shall mould Thy spirit, and by giving make it ask. 65 Therefore all seasons shall be sweet to ihee, Wheiher ihe summer clothe the general earth With greenness,... | |
 | Carl R. Woodring, James Shapiro - 1995 - 936 pagina’s
...lovely shapes and sounds intelligible Of that etemal language, which thy God 60 Utters, who from etemity doth teach Himself in all, and all things in himself....the general earth With greenness, or the redbreast sit and sing Betwixt the tufts of snow on the bare branch Of mossy apple-tree, while the nigh thatch... | |
 | Willard Spiegelman - 1995 - 234 pagina’s
...hallmark of the Romantic nature lyric, but, also, more important, ending on a note of reciprocal activity: Therefore all seasons shall be sweet to thee, Whether...the general earth With greenness, or the redbreast sit and sing Betwixt the tufts of snow on the bare branch Of mossy apple-tree, while the nigh thatch... | |
 | Stephen Adams - 1997 - 260 pagina’s
...But the same figure informs the solemn culmination of Coleridge's "Frost at Midnight": so shall thou see and hear The lovely shapes and sounds intelligible...doth teach Himself in all, and all things in himself. Parallel syntax is often arranged in ascending sequences, a figure known as climax (technically "auxesis"... | |
 | R. L. Brett - 1997 - 284 pagina’s
...the past to the future and vows that Hartley will be brought up to be influenced by nature and will see and hear The lovely shapes and sounds intelligible...doth teach Himself in all, and all things in himself. The importance given to nature here is clear, but the reference to God is more than perfunctory; indeed... | |
 | Arthur C. Danto - 1997 - 374 pagina’s
...beneath the clouds, Which image in their bulk both lakes and shores And mountain crags: so shalt thou see and hear The lovely shapes and sounds intelligible Of that eternal language, which thy God Utters. "The true province of landscape art," wrote Asher B. Durand, who was the leader of this school after... | |
 | Kirsten Malmkjær, John Williams - 1998 - 212 pagina’s
...beneath the clouds, Which image in their bulk both lakes and shores And mountain crags: so shalt thou see and hear The lovely shapes and sounds intelligible Of that eternal language, which thy God 60 Utters, who from eternity doth teach Himself in all, and all things in himself. Great universal... | |
 | Sue Hosking, Dianne Schwerdt - 1999 - 228 pagina’s
...shores And mountain crags: so shall thou see and hear The lovely shapes and sounds intelligible 60 Of that eternal language, which thy God Utters, who...things in himself. Great universal Teacher! He shall mold Thy spirit, and by giving make it ask. 65 Therefore all seasons shall be sweet to thee, Whether... | |
 | Liz Rosenberg - 2000 - 168 pagina’s
...beneath the clouds, Which image in their bulk both lakes and shores And mountain crags: so shalt thou see and hear The lovely shapes and sounds intelligible...things in himself. Great universal Teacher! he shall mold Thy spirit, and by giving make it ask. Therefore all seasons shall be sweet to thee, Whether the... | |
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Therefore all seasons shall be sweet to thee, Whether the summer clothe the general earth With greenness, or the redbreast sit and sing Betwixt the tufts of snow on the bare branch Of mossy... 
