 | Arts and Crafts Exhibition Society - 1893 - 470 pagina’s
...was nothing but a genuine advance or variation on the old modes. The specimens of clear glass made at the end of the seventeenth and beginning of the eighteenth centuries are well designed to suit the capabilities of the material. The form given to the liquid metal by the... | |
 | Herbert Joyce - 1893 - 480 pagina’s
...is, so far as we are aware, no necessary connection. What was a flying packet ? The term " flying," at the end of the seventeenth and beginning of the eighteenth centuries, was, no doubt, used in the sense of running. For this season, writes Lord Comptou's private tutor to... | |
 | Historic Society of Lancashire and Cheshire - 1893 - 450 pagina’s
...he makes no mention of two great Wallasey events of his day, ie, the Races, which were in full swing at the end of the seventeenth and beginning of the eighteenth centuries, and the Wake, which existed until the middle of the present century. On the morning of the fifth Monday... | |
 | Arts and Crafts Exhibition Society - 1893 - 448 pagina’s
...was nothing but a genuine advance or variation on the old modes. The specimens of clear glass made at the end of the seventeenth and beginning of the eighteenth centuries are well designed to suit the capabilities of the material. The form given to the liquid metal by the... | |
 | Friedrich Schiller, Johann Wolfgang von Goethe - 1898 - 284 pagina’s
...pieces on extravagant and romantic subjects, which formed the repertory of wandering actors in Germany at the end of the seventeenth and beginning of the eighteenth centuries were known as '§cupt= unb İtaat§afttonen.' Cf. Goethe's Faust, I, p. 230. 13. Ieid)t etttme UmiitfCIl... | |
 | Philipp Spitta - 1899 - 740 pagina’s
...chorale — and which occurs in very similar form in many of the Passion settings of Central Germany at the end of the seventeenth and beginning of the eighteenth centuries — owes its existence to an ancient ceremonial — ie, the performance of the interment in front of... | |
 | H. K. F. Eden, Eleanor Lloyd - 1900 - 576 pagina’s
...co. Durham. These with the steel works of Ridley and Co. formed the famous works of Ambrose Crowley at the end of the seventeenth and beginning of the eighteenth centuries. " He was, I believe," writes Mr. R. Blair, " the first iron worker on Tyneside, or rather on Derwentside,... | |
 | John Eliot Hodgkin - 1902 - 440 pagina’s
...their old engravers which affords the greatest enjoyment to the student. Their influence on English art at the end of the seventeenth and beginning of the eighteenth centuries becomes extremely noticeable by collation with the work of our own Little Masters. OF my three good... | |
 | Elisabeth McClellan - 1904 - 558 pagina’s
...its manufacture on the banks of the River Camlet in England. Campaign-wigs. — Were very fashionable at the end of the seventeenth and beginning of the eighteenth centuries. They were full and curled towards the front. Cannons. — Garters or breeches-fasteners. Canvas. —... | |
 | Carveth Read - 1905 - 374 pagina’s
...wonderful, merely perplexing. In the history of Philosophy the change came late, but very suddenly. At the end of the seventeenth and beginning of the eighteenth centuries, Locke and Leibniz still speak of angels as familiarly as we do of pterodactyls, and then they are no... | |
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The dreadful state of the morals of the poor, at the end of the seventeenth and beginning of the eighteenth centuries, forms the best criterion of the influence of the latitudinarian bishops appointed at the dictum of freeministers. 
