From Grain to Pixel: The Archival Life of Film in TransitionAmsterdam University Press, 2009 - 320 pagina's Film is in a state of rapid change: the transition from analog to digital is profoundly affecting not just filmmaking and film distribution but a number of other facets of the industry, including the ways in which films are archived. In From Grain to Pixel—the first volume in the new Framing Film series from Amsterdam University Press—Giovanna Fossati brings together scholars and archivists to discuss their theories on digitization and to propose new possibilities for future archives.
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analog and digital Anthology approach archival film argued audiovisual avant-garde Bijker camera Cherchi Usai Cinémathèque Cineric color insert convergence/divergence Danish Film Institute digital cinema digital cinematography digital film Digital Film Lab digital intermediate digital projection digital restoration digital technology digital tools distribution Dogme 95 duplication Dutch example film archival field film archival practice film archivists film artifact film as art film as dispositif film as original film laboratories film print film production film restoration filmmakers format frameworks and concepts Grover Crisp Haghefilm Harry Smith long-term preservation Mahagonny Matinee Idol medium medium specificity message to author Nederlands Filmmuseum negative ontology original film perspective photochemical photographic pixels projectors reference relevant social groups remediation resolution restored films Rodowick scratches silent films simulation Sony Pictures Entertainment sound version Strangelove studies techniques Techniscope technological frame theoretical theory tion transition to digital workflow Zeemansvrouwen