The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called... The Literary Panorama and National Register - Pagina 5871816Volledige weergave - Over dit boek
| 1837 - 1032 pagina’s
...therein.. two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...without any sensation or consciousness of effort." Ou awaking he instantly sat down to commit his poem to paper. After having written so many lines as... | |
| 1838 - 530 pagina’s
...three hundred lines ; if that indeed can be called composition in which all the images rose up hefore him as things, with a parallel production of the correspondent...sensation or consciousness of effort.' On awaking he instantly sat down to commit his poem to paper. After having written so many lines as were afterwards... | |
| Samuel Taylor Coleridge - 1838 - 634 pagina’s
...composition in which nil the images rose up before him as tkiitgr, with a parallel production of tbe correspondent expressions, without any sensation, or consciousness of effort. On awaking he appeared to himself to have t distinct recollection of the whole, and taking his pen. ink, and paper,... | |
| 1844 - 734 pagina’s
...from two to three hundred lines ; if that indeed can be called composition, in which all the images rose up before him as things, with a parallel production...sensation, or consciousness of effort. On awaking, he appeared to himself to have a distinct recollection of the whole, and, taking his pen, ink, and paper,... | |
| 1844 - 752 pagina’s
...from two to three hundred lines ; if that indeed can be called composition, in which all the images rose up before him as things, with a parallel production...correspondent expressions, without any sensation, or coniciousnets of effort. On awaking, he appeared to himself to have a distinct recollection of the... | |
| 1895 - 862 pagina’s
...dreamed the poem, and only wrote down, when awake, what he remembered out of his dream. " The images rose up before him as things, with a parallel production of the corresponding expressions." It is not unusual to dream verses, to remember them is rare, to find them... | |
| George Combe - 1845 - 498 pagina’s
...that indeed can be called composition in which all the im> ajr-H rose iipbcHire him ;i=»M/W*,with n successful thinking, as if they nad completed some...they regard this labour but as a circumstance of prep appeared 10 himself to have a diMinci recollection of the whole : anrl taking his pen, ink, -and p3r>*r... | |
| John Sheppard - 1847 - 218 pagina’s
...from two to three hundred lines ; if that indeed can be called composition, in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and instantly and eagerly wrote damn... | |
| Samuel Taylor [poetical works] Coleridge - 1847 - 310 pagina’s
...from two to three hundred lines ; . if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
| Samuel Taylor Coleridge - 1848 - 688 pagina’s
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...without any sensation or consciousness of effort. Ou awaking, he appeared to himself to have a distinct recollection of the whole, and taking his pen,... | |
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